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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Pamela See (Xue Mei-Ling)

Contributing artists

Born: 1979, Brisbane
Works: Brisbane

Lucie

Who are you?

The works I chose are Quong Tart by Pamela See, and Monga Khan by Peter Drew.

Thomas Sutcliffe Mort and his wife Theresa

A head for business and a heart for love

Lust

For love, not money

Thomas and John Clarke, bushrangers, photographed in Braidwood Gaol

The last bushrangers

It's Complicated

Brothers in harms

Contributing artists

General content

Find out more from each of the artists reinterpreting and reimagining elements of Australian history.

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Artist interviews

Headspace 4
General content
Queenie McKenzie Nakara

She saved his life. He showed her painting.

Nearest & Dearest

Leaders, painters, friends

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Portrait Donors

Listed by year
Honour board
Chris Wallace-Crabbe

2014-15 Acquisition Fund

Annual Appeal

Kristin Headlam's portrait of Chris Wallace-Crabbe was acquired with the support of the Circle of Friends in 2014.

Portrait of Mrs Tom Roberts

Who is Lillie Roberts?

Devotion

Talented wife for a talented husband

Convict love token from J. Waldon, 1832

To coin a (farewell) phrase

Devotion

A penny for their thoughts

Thomas Archbold, Durham, 1826 by John Dempsey

Street fare

General content

The late Georgian and early Victorian working classes often bought their food in ale-houses, chop-houses and ‘penny pie shops’, or purchased their meals day after day in the streets.

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About Headspace

General content

Both making and exploring art involve a form of thinking that opens the way to multiple systems of knowing and experiencing.

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Forum participants

General content

Biographies of participants in the Writing lives, revealing lives forum.

Bathing woman, Bridlington, c.1825 by John Dempsey

Allow me to introduce...

General content

These full-length figures in watercolour, gouache and pencil date mostly from the 1820s, and almost all come from the collection of the Tasmanian Museum and Art Gallery, Hobart.

Alab ng puso (Fire in the heart), 2010 by Alfredo Esquillo Jr

Alfredo Esquillo Jr

by Patrick D. Flores
Artist essays

Born in Manila in 1972, Alfredo Esquillo Jr majored in painting at University of Santo Thomas.

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency